Friday Finishing

I finished three things this week:

• a pair of socks for myself that have been on the needles since 2009 (blush);
• the Veil of Rosebuds socks for my daughter's friend; and this afternoon...

Tat-ta-ta-da!  The centre of the Orca Bay Mystery Quilt top!

Here it is on my kitchen floor.  I had to move the table and chairs in order to spread it out!  It measures 66" wide by 74.5" long -- taken through the middle of each side, as you're supposed to do.  Now for the borders...

First the Knitting

I've caught startitis.  From what the Yarn Harlot says, it's a virus particular to handcrafters, and knitters can be especially vulnerable -- particularly in early January.  I'm trying to maintain an even keel and finish what I start, but it's a challenge.  Thank heavens for a deadline for at least one of my projects, or I'd be in deep trouble!  As it is, it's spread to my sewing and stitching habits...but more on that later.

First, the knitting:

• I've finished the first of the pair of Veil of Rosebuds socks (Clara Parkes' Knitter's Book of Socks) for which I have a deadline, and am working my way down the leg of the second.  Here it is on my foot (not the foot for which it's intended).  Isn't the subtle striping lovely?

• I finished The Shoemaker's Hat (Clara Parkes, Knitter's Review) but it was too small for me, so I put it on the mitten tree at church; I'll make another with -- I think -- an extra 4 stitches, which should do the trick.  It's threatening to get colder here soon so I'd best get going.

• I've signed up for a Socks from Stash 2012 challenge on Ravelry...and January's task is to make a pair from the oldest sock yarn in one's stash.  I have no idea if this is the oldest, but I'm using Jawoll Cotton Superwash yarn in a colour that's long been discontinued -- a lovely sage green.  It's a blend of cotton, superwash wool and nylon, so there's some memory and resilience to it. The pattern I've chosen?  Cable Rib Socks by Erica Alexander, which I found in my copy of Favorite Socks from Interweave Press.  I have yet to cast on, but my fingers are itching.!

• And I seem to have fallen into a mini-KAL (Knit ALong) on Ravelry with a gal in Vienna who wants to make a Miss Marple-style cardigan.  She's an afficionado of patterns from the nineteen thirties, and had found a couple of possibilities online.  The problem is, they seem to be made for impossibly small women.  She has, however, found a pullover that she believes she can adapt to her size.  I, on the other hand, scrounged around in my Vogue Knitting magazines (I got rid of all but 1/2 dozen or so when I moved) and found a beauty by Kim Hargreaves -- the Lace Panel Cardigan -- from the Fall 1990 issue. (NOTE: you need to be a Ravelry member to open that link to the pattern.   Sorry!  If you're a knitter and not a member, though, you might check it out -- it's free!)

I'll reserve my non-knitting activities for the next post -- see you later!  :-)

  

A Full Start to the New Year (Long -- With Photos!)

For the past couple of days I've been fully involved with all things textile.  Where to begin?

First, with the OBMQ, which has (at least online) reached its Grand Finale with the revelation of Part 8 on New Year's Day.  Where am I with it?  Well...as of last night (10 p.m.), I'd finished the rectangles, and put a couple of blocks up on my design wall to see how they looked.  My first reaction: Ouch! Noisy!


However, after a good night's sleep, they looked a bit better, and I decided to assemble the first couple of rows to see...and yes, indeed, there is potential!  Row 1 (all blue squares and rectangle units) is now lining the top of my design wall, and part of row two (all rectangles and Ohio Star blocks) is lying underneath it.  Clearly this assembly is going to be something I do slowly and gently, taking great care that the units match and fit together properly.  So far, so good, so stay tuned!

Next, in the Knitting Department, I've turned the heel on the first Veil of Rosebuds sock and have made my way down the foot by a couple of inches (24 pattern rows).  I confess I had my doubts about this heel at first, but now that its finished I can say it's definitely going to be one I try again.  It may not prove as sturdy as my standard 'Dutch heel', but I like how neatly it finishes without any additional fussing over picking up stitches along a flap, and creating a long gusset.  Pretty, isn't it?

On into the C&G Classroom -- where I've just completed Activities 5 and 6 of Module 5.  I am now in the throes of all things pieced.  Activity 5 was simple: identify the type of basic block used in an illustrated star block pattern (I assessed that it was a four-patch).  Activity 6, though, was more extensive: research some quilt blocks and pick three favourites; document their origins (or what you can find out about 'em); draw them on graph paper -- and then draw them again, skewed. Finally, colour them in and create 3-4 copies; then arrange the copies in some sort of design.

Just picking blocks was the first dilemma -- there are so many to choose from, especially if, like me, you are a long-time fan of Quilt Blocks Galore!, a resource simply overflowing with wonderful free quilt block patterns, most of which have a traditional, timeless origin.

After browsing for nearly an hour, I came to my sense and picked these three: a Basic Nine-Patch; a "Dutchman's Puzzle" (aka "Flying Dutchman" or "Windmill") and the trusty "Ohio Star" from the OBMQ (aka "Star", "Eastern Star", "Lone Star" or "Texas Star").

In recent months I've used the 'Disappearing Nine-Patch' that's been making the rounds.  I had great fun with it earlier this year when I did up comfort quilts for Japan in the wake of the earthquake and tsunami.  This exercise, however, is different.  Rather than make an original block, slice it and re-arrange the pieces, I was asked to shift the original design lines of the block to create something different altogether.  Ditto for the 'Windmill' and the 'Star'.  See what I mean?  It gives this piecer an entirely new way to think about her blocks!

Lastly, I got myself caught up with TAST -- Take A Stitch Tuesday -- which I've joined for 2012, in combination with the Crazy Quilt Journal Project (CQJP).  The idea behind this is three-fold:

• To have an opportunity to do hand embroidery, which I love but for which I don't make enough time;
• To revisit the art of crazy quilting, thus improving my skills in this art form; and
• To use up stash -- including a mountain of neckties I've acquired over time -- some from my late husband, and some from the local thrift shop, because they were too pretty to resist.

Just look how much fabric there can be in a single deconstructed necktie!  (The orange bits are lining.)

I began to prepare for this endeavour before Christmas, when I washed all the ties in my collection -- simply threw 'em into the washer and then into the drier, regardless of fabric content.  None of them disintegrated and (apparently) none of 'em shrank.  Amazing!

Diagram: stitching.com

Now TAST is weekly, and the CQJP is monthly.  My initial thought was to create one crazy quilt block per month (6" finished), with enough seams and space in which to incorporate the four or five Tuesday stitches in each given month.  The first stitch for the first Tuesday in this first month of 2012 is Fly Stitch.   In Sharon B's inimitable way, she illustrates a multitude of ways in which it can be used, so now I'm beginning to think I might try a block a week.  (In addition to giving me lots of space to explore the weekly stitch, it'll use up more neck ties!)

My first block uses fabric from two ties, plus a bit of velvet and another plain scrap to give myself some working space.  In this photo, you can see I've only just begun to build...

Now if you'll excuse me, I have some stitching to do...  :-)    See you later!